WORKS
> First Seen
Matts Leiderstam, First Seen, 2008 (detail with vintage print John Moran 1871)
First Seen, 2008
Vintage print Great Falls Limon River, attr. John Moran made during the Darien-expedition, 1871, shelf, biography on Timothy O'Sullivan with new page with text by Matts Leiderstam binded in, magnifying glass (text with similar fond and on similar paper as pages in original biography on Timothy O’Sullivan)
[more]Matts Leiderstam's text, part of installation First Seen, 2008:[/more]
Matts Leiderstam, First seen, 2008
Installationview
Matts Leiderstam, First Seen, 2008 (detail with book Timothy O'Sullivan)
detail with book on Timothy O'Sullivan
First Seen, 2008 (detail vintage print John Moran 1871)
detail vintage print attr.John Moran 1871, text:
"Darien Expedition, Tropical Scenery, Great Falls Limon River, Comd'r Selfridge" > Provenience
Installationview Provenience with Papagopark and Durchblick, 2008Provenience, 2008
Desk with two catalogues and magnifying glass (new page with text by Matts Leiderstam binded in the two catalogues. Texts printed in similar fond and on similar paper as the pages in the catalogues)
Text:
“Eight employees — three building engineers, two security guards, two maintenance workers and a secretary— and about 30 of their family members took refuge in the museum starting on Aug. 27, as the hurricane approached the Gulf Coast and local officials began to issue evacuation orders. In galleries under skylights, paintings were taken off the walls. In the underground storage areas, artworks were put on wooden blocks to protect them from flooding. The museum workers and their families filled every available plastic container, including garbage cans, with water for bathing and drinking, and subsisted on food from the museum café. Two days after the storm hit, on Aug. 31, representatives of the Federal Emergency Management Agency reached the museum and urged them to evacuate. They refused. […] The security company’s armed guards, most of them retired New York City police officers, arrived on small motorboats — along with the museum’s deputy director, Jacqueline L. Sullivan — on Sept. 4. They found two bodies floating nearby.”
The New York Times Internet edition, September 19 2005
At the New Orleans Museum of Art hangs, The Ideal View of Tivoli, 1644, Claude Lorrain (1600-1682), oil on canvas, 117 x 147 cm, purchased in 1978 from the art dealer and collector Richard L. Feigen from New York through the “1977 Acquisition Fund drive”. At one time this picture was owned by a German Jewish couple, who had fled Berlin from the Nazis and had come to Gothenburg, Sweden via Copenhagen.
In April 1970, the picture was moved from the couple’s home in order to be scrutinised by experts at the studio of the restorer at Gothenburg Art Museum. The art historian Dr Marcel Röthlisberger from Switzerland was present at the invitation of the director of the museum, Karl-Gustaf Hedén, and the insurance policy was signed by Pehr G. Gyllenhammar, Skandia AB.
Röthlisberger writes in the French journal Revue de l’Art, no. 11, 1971, that he recognised the picture as the missing original of Claude’s Liber Veritatis, no. 81. He establishes that it probably was painted in 1644 on commission from someone in Paris, and that after an unknown previous history, it appeared in Berlin in 1919, via a Russian aristocrat, whose signet was found on the back of the frame.
In February of 1971, the picture was shipped to London in order to be auctioned at Christie, Manson &Woods. It was offered June 25 as “Lot 22”, with the indicated provenance: “From a Russian 18th century collection. […] Sold with a certificate from Dr Röthlisberger, Geneva, October 18, 1970, together with X-rays and an ultraviolet photograph.” A “Monsieur Marcel Joly” put up the highest bid for the picture.
The profits from the sale of the picture were divided into four equal parts, which were then given over to different causes determined by the German Jewish couple. On January 12 1972, Karl-Gustaf Hedén accepted a cheque for 62,240.65 Swedish Crowns, which was deposited at a local bank. The deed of gift to Gothenburg Art Museum was signed “Two emigrants who would like to remain anonymous”. In March 1974, using “The Unknown Emigrants’ Donation Fund”, the museum bought Martinus Rørbye’s View from the Roman Campagna, painted in Rome in 1835, for 19,000 Swedish Crowns at an auction in Copenhagen.
provenience
Provenience, 2008
> Durchblick
Matts Leiderstam, Durchblick
Durchblick, installation with framed c-print 58x73 cm, shelf with glasspanel 55x70 cm and text, edition 6 + 1 A/P, 2007
(portrait is Friedrich Overbeck’s “Bildnis des Malers Johann Carl Eggers, 1816/20) > View (Papago Park)
Matts Leiderstam, View (Papagopark),2007
View (Papagopark), one image out of an installation with 9 C-prints 32,5 x 38 cm each, edition of 3 + 1 AP, 2007
Matts Leiderstam, View (Papagopark),2007
View (Papagopark), 2007 > On Site 
ML 01 02
On Site , c-print 58 x 75 cm, edition 10 + 2 AP, 2001 > View (Westpoint)
Matts Leiderstam, View (Westpoint)
View (Westpoint), Tryptich of framed C-prints 44,5 x 47,5 cm, edition 6 + 2 AP, 2003 > The Artist is at Niagara falls
Slideprojection (also available as framed C-print 64 x 86 cm, edition 6 + 2 AP) 2001 TEXTS
> Matts Leiderstam's text, part of installation First Seen, 2008:
Under the leadership of Commander Thomas Oliver Selfridge of the United States Navy, the Darien Expedition was sent out on its second journey, 1870-71, to search for an “old Indian trail” across the mountains through the jungle, from “Cupica Bay by way of the Limon River, the Napipi River to the Atrato River, falling into the Gulf of Darien” (Golfo de Uraba). The aim was to investigate the possibility of building the “Darien ship-canal” between the Atlantic and the Pacific. In Harper’s Monthly Magazine, November 1873, under the heading “The Secret of the Strait”, there is an eyewitness account published by Dr. G. A. Maack, the geographer and botanist on the expedition. “The scenery around Cupica Bay is wild and magnificent. Large boulders of every size and shape lie scattered in wild confusion, all thickly crusted with shells and sea animals. The waves, dashing through ages, have undermined the rocky wall in many places, forming caves and fantastic grottoes, where the sea foams and boils as if eager to carry its work of destruction still further. In the background rise the mountains, covered to their summits with luxuriant tropical vegetation, and far away off may be seen the great falls of the Limon River plunging over a precipice 250 feet high, and pouring down an immense body of water to mix with the ocean at Limon Bay.”
Lot 302, “O’Sullivan, Timothy (1840–1882), Tropical Scenery, Great Falls, Limon River” was sold on December 13, 2007, at an auction in New York. The book, Timothy O’Sullivan, America’s Forgotten Photographer, was used by the auction firm, Swann Galleries Inc., when attributing the image as an O’Sullivan and the provenance was given as “collection of a New England collector”. On page 233 in the book this image is reproduced under the title The Great Falls on the Limón River. James D. Horan (1914–1981), American novelist, journalist and historian, published this biography of O’Sullivan in 1966, after years of research, with the explicit purpose of setting “the record straight” in relation to “mistakenly attributed images” of the American Civil War. On page five Horan lists the equipment a photographer should bring into the field during this period: a “… stereoscopic camera with one or more pairs of lens; 5 by 8 camera box plus lens; dark tent; tripods; 10 pounds of collodion; 36 ounces of silver nitrate; 2 quarts of alcohol; 10 pounds iron sulphate; packages of filters; 1 ¼ pounds potassium cyanide; 3 yards Canton flannel; 1 box Rottenstone; 3 negative boxes; 6 ounces nitric aid; 1 quart varnish; developing and fixing trays; dozen and half bottles of various sizes; glass for negatives, 400 pieces.”
The reproduction shows “the only known photograph of Tim O’Sullivan”, according to the caption, is part of a stereoscopic picture. According to George Eastman House, Rochester, NY, this image was ascribed to another photographer in 1976, based on Commander Selfridge’s report from the Darien Expedition, as a self-portrait of John Moran (1831–1902). On Eastman House’s web pages, 54 Darien Expedition stereoscopic pictures from their collection are reproduced, eight of which are attributed to O’Sullivan and the expedition’s first journey in 1870, and the rest to Moran on the second journey in 1870–1871. The picture representing Moran was shot in the village of Pinogana, Panama, at the Rio Tuyra in the spring of 1871, a few weeks before, or after, the expedition reached “the great falls of the Limon River”.
Commander Selfridge writes in his report: “Monday morning [March 13 1871] we got under way and proceeded to the mouth of Limon River, where the trail to the Napipi begins, … […] The Limon River for about 3,000 feet from the sea to the falls has a width in its bed of about 250 feet, and lies between high hills on each side, with a moderate rise in the distance of about 70 feet. The falls have a leap of 250 feet over hard rock, and in the rainy season, when the volume of the water is large, must be magnificent. The scenery in the vicinity is both picturesque and grand. A deep basin receives the cool falling water, the spray from which forms tiny rainbows in the noonday sun; moss-covered rocks surround it; while above tower high hills festooned with dense masses of vines.”
Google Earth’s satellite image shows Cupica and Bahía Limón in the northern part of Golfo de Cupica. Bahía Solano can be found close by with a few eco-tourist beach hotels. The whole coastline along the Pacific is covered by virgin rainforest, which is practically isolated from the rest of the country and has an annual rainfall of up to 10 metres – three times more than in the Amazon Rainforest. On one of the hotel’s web pages, waterfalls with names such as Nabugá and Chirichiri are presented as possible goals for excursion. On January 14, 2008, CNN reported from Bogotá: “The same leftist rebel group that released two long-held hostages three days ago has kidnapped six tourists at a remote beach on Colombia’s Pacific coast, a spokeswoman for the Colombian navy said Monday. The kidnapping by the Revolutionary Armed Forces of Colombia, or FARC, the Spanish acronym by which the group is known, took place at dusk Sunday when a motorboat with the tourists went ashore ... The boat had set sail with 19 passengers from Bahia Solano, a port farther north, the spokeswoman said. Rebels stole fuel from the boat along with the passengers' cash and cell phones, a navy statement said. It said rebels then selected six of the passengers and led them into the nearby jungle.”
CV
CV
Matts Leiderstam is born in Gothenburg, Sweden (1956) and lives in Stockholm.
He got his M.A. at Valand, University of Gothenburg College of Art and his Ph.D. in Fine Arts (dissertation
See and Seen) at the Malmö Art Academy.
Leiderstam’s project Grand Tour was shown at Magasin 3 Stockholm Konsthall, and travelled to Dundee Contemporary Arts, Dundee Scotland, Göteborgs Konsthall, Gothenburg, Sweden and Kunstmuseum Liechtenstein, Vaduz. In 2007 he was shown at the Scottsdale Museum of Contemporary Art, Arizona, Andréhn-Schiptjenko, Stockholm and at the Badischer Kunstverein, Karlsruhe.
This last show was reviewed in Art Forum and Springerin.
click here to download cv as pdf
LINKS
